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iArtdealer Biz News on Art, Design Antiques to Travel and what's ongoing in Argentina
Wednesday, 4 August 2010
Links and Groups
Topic: Life on Line

Visit I Antique Online

Posted by bob frassinetti at 1:13 AM
French Glass, Art Deco, made in France
Topic: Glass made in Argentina

 

 Glass made in France, Sand or Sanh


Find more photos like this on I Antique Online

 

AAnd Glass made in Argentina, Ancient Techniques in a modern world

  The development in terms of production in these modern days is unquestionable. We, as humanity are now capable of producing anything men has ever dreamt of at amounts that are even to imagine. Billions of billions of all sort of items are daily produced, all looking alike, all mass produced by outstanding machines invented by someone with a very bright mind. All look-alike mass produced – mass consumed items… What ever happened to our beloved craftsman or woman? To those unique kinds of objects that suited our personality? I believe those craftsmen and women became artists or artisans, and those unique items are now antiques… But the modern world development has some weird and interesting turns down here in Argentina. One of the country’s most important glass and crystal firms during the 60s and 70s went bankruptcy during the 90s. Over 1500 employees were left without a job, and one of the Glass industry Titans had gone down. When the owner shut down the lights for the last time and closed the front doors with an immense lock it seemed it was Cristalux’s end had come, there were not going to be any more Durex items produced again. A broad set of vintage 1970s glass production machinery was locked down, and the magic maker worker was left out. The business had began to sink during the late 70s and 80s when it was impossible for these products to compete with foreign mass produced glass items. These workers were not regular workers, they were artisans according to our former definition. They were craftsmen and women who knew all about the art of making glass… Such a huge human capital could not be appreciated back then by their employer… But all those workers knew much more, so they gathered together and began to work out a plan to recover their beloved plant. They worked on a detailed plan to recuperate and put back to work this plant, went to the justice, and finally a couple of years ago they were granted the permission by Judge Matilde Ballestrini. Filled with excitement, emotion and curiosity, 100 former Cristalux workers walked through the main entrance to their factory. It was something that words cannot describe… They have jointly decided they wouldn’t retake the former brand, this is our industry now, ours as Argentineans, so it should be called Argentinean industry, plain, simple, deep and powerful, said one of the workers… and so it did. On the bottom part of each item it reads: industria argentina.  As they turned on the power, and every sector of the plant enlighted and machines began to warm up they gathered together in front of the supply room… It’s were the magic begins… These crafts wen and women, knowers of secrets and magicians of glass, mix in secret proportions sand, minerals and grained crystals, glass production has began! 

Bob Frassinetti, Art Collector and Antique Dealer. Buenos Aires, Argentina


Posted by bob frassinetti at 1:05 AM
Sunday, 1 August 2010
Razones para invertir en la Argentina
Topic: Art Museum Gallery

 

 

Las construcciones de lujo se mudan al interior

31/07/10 Si bien Buenos Aires es el principal destino de las inversiones, las constructoras tienen en la mira a Córdoba, Rosario y Mendoza.

PorAndrés Mazzeo, ESPECIAL PARA CLARIN

Atraídas por el buen momento que atraviesan algunas economías regionales, las desarrolladoras inmobiliarias pusieron el foco en varias provincias del interior del país. A la par que decae levemente el interés en la Capital Federal, gran parte de las inversiones en construcciones de alta gama previstas para este año estarán destinadas a Rosario, Córdoba y Mendoza, según indica un estudio realizado por la CEDU (Cámara Empresaria de Desarrolladores Urbanos), al que accedió iEco. El objetivo, dicen en el mercado, es capitalizar el ascenso del complejo sojero rosarino, el del sector automotriz cordobés y el boom de los vinos mendocinos.


De acuerdo con la CEDU, un 42% de las constructoras está desarrollando principalmente barrios privados, country clubs y condominios. Distintas fuentes interpretan que ese porcentaje, hoy, es tan alto porque fue favorecido por dos factores principales: la ausencia de crédito para la clase media y el aumento en el valor de las propiedades. De este modo, sólo los sectores de alto poder adquisitivo pueden volcar sus excedentes en el mercado inmobiliario.


Si bien la Capital Federal aún se mantiene como principal destino para invertir en ladrillos y construcciones premium (41%), el interior ya se posicionó como una buena alternativa. Danilo Antoniazzi, gerente institucional de la CEDU, dice: “No es un dato menor el crecimiento de la construcción en el interior con relación a la zona históricamente más elegida para invertir que es Buenos Aires, y que la diferencia sea sólo de 5 puntos”. Claudia Armesto, consultora de la Cámara, completa el cuadro desde el punto de vista de las constructoras: “La mano de obra más barata y un valor más bajo de los terrenos, que además gozan de buenas ubicaciones, son elementos que determinan una mayor rentabilidad en esas plazas”.


Del total de los nuevos emprendimientos, Córdoba capital concentra el 9%; Rosario, el 5%, y Mendoza, otro tanto. Pero por sí sola, la capital mediterránea y sus alrededores representó en marzo nada menos que el 26% de la superficie a edificar en todo el país. “Córdoba, en 2009, tuvo más metros cuadrados para construir que Buenos Aires, y viene teniendo una explosión de desarrollo muy grande”, resume Ariel Turkie, un alto ejecutivo de la desarrolladora TGLT.
Para este ejecutivo, la zona se destaca por la buena respuesta del agro postsequía, la recuperación de la actividad económica de los últimos años (particularmente la industria automotriz), más la explosión demográfica impulsada por las universidades, lo que “facilitó la canalización de parte de esos excedentes hacia la construcción residencial”.

Emprendimientos


Rosario, a su vez, también se posiciona como una de las ciudades más atractivas dentro del mercado de real estate argentino. Desde la desarrolladora TGLT, el arquitecto Francisco Jorge indica que ese distrito no estaba acostumbrado, como Buenos Aires, a generar grandes proyectos. “En un comienzo, se trataba de emprendimientos de un máximo de 4.000 m2. Hoy se habla de proyectos de 40.000 y hasta 60.000. De los 30 grandes proyectos que se estamos realizando, seis están en Rosario”.


Con las edificaciones de lujo que están proyectadas, algunos se ilusionan con la posibilidad de que Rosario tenga su propio Puerto Madero. El emblema de tal ilusión es el desarrollo de Puerto Norte, un desafío que contempla el reciclado de gran parte de silos y edificios del siglo XIX, más otros nuevos, que va transformando el antiguo puerto industrial en un barrio residencial, caracterizado por sus vistas al río y su cercanía al centro.
Según los especialistas, el boom rosarino se debe al sostenido crecimiento que viene registrando el complejo agroganadero regional en los últimos años. Esos “agrodólares” se vuelcan a la compra de construcciones premium, “un segmento que además tenía escasa oferta”, según resume la consultora Claudia Armesto.

Aporte estatal


En parte, las construcciones de lujo se expanden por impulso de la planificación estatal. En 2007, la Municipalidad rosarina creó un plan de desarrollo que permitió sentar las bases para un planeamiento a largo plazo. Desde TGLT, aseguran que este “master plan” fue el que permitió diseñar lo que hoy se denomina Forum Puerto Norte.


Pero hay otras áreas del país que atraen inversiones. En la Patagonia, por ejemplo, es el sector energético (sueldos altos más radicación de empresas extranjeras con sus ejecutivos) el que tracciona al mercado inmobiliario. “Vemos a la Patagonia con un altísimo potencial de desarrollo y hoy su crecimiento es exponencial debido al desarrollo energético”, indica Daniel Jesús Sáez, responsable de marketing de la desarrolladora ASPA.
“Neuquén es un lugar con un poder adquisitivo efectivo”, agrega Daniel Mintzer, socio director de la G&D Developers, otra de las constructoras muy activas en la región.


Posted by bob frassinetti at 3:19 PM
Monday, 26 July 2010
The Buenos Aires Toy Museum and Villa Tulumba
Topic: Villa de Tulumba
Commercial Real Estate

Posted by bob frassinetti at 3:00 PM
Tuesday, 20 July 2010
Art Argentina
Topic: Argentina
Malba –Museum of Latin American Art- of Buenos Aires is one of the finest examples of a top notch quality show featuring outstanding works. It’s careful selection of Latin America’s finest art was conceived as part of a bigger wholesome that of the art concepts prevalent during the last century. This private Art museum of modern Buenos Aires had customize designed the building to further an integral art-show concept. This is the first museum construction in the city that was intentionally built to suit a museum’s needs. Seductive modern prismatic lines, clean and clear stones matching and framing enormous windows surrounded by a rich green garden, the modern avant-garde exterior finely complements the eclectic Latin American style and feel of the stupendous artwork inside. Shape and content, form and essence, is a duality conception of Art that has fired and heated endless debates within the artistic world, and Malba –in many ways- takes upon the challenge of blending them both into a greater unity.

Malba-Constantini Collection -born in September 2001- is a museum that enters the cultural institutional world with a special social and historical approach, seeking to structure an organic concept and panorama within the art history of the past century.
Malba collects and preserve at the same time that its institution develops insightful art studies and shows all major Latin American Art throughout the 20th century to our days. This fabulous museum began as a project of the Constantini Foundation back in 1998 when the foundation board developed the museum’s concept: preserve and exhibit their own patrimony featuring over 200 works by the finest modern and contemporary Latin American artists. The collection began in 1971 when Eduardo F. Constantini started his own private collection. Nearly 30 years after that first stepping stone was set, he decided to open his private collection to the pleasure and joy of the city and its visitors. As in every other art collection, defining and labeling art is a complicated and not always useful task, for some things need no titles… All and all, we can point out that whilst including some precursor artists, the large majority of the works show the awakening of the artistic Latin American vanguards of the 1920s. The collection is completed with more contemporary pieces dating of the 1940s, 1950s, 1960s and even more recent works. At the same time, we need to emphasize on the wholesome concept, for the collection is finally completed combining the permanent show with alternative and alternating shows featuring local and international artists and concepts.  The permanent collection gathered throughout years of passion and love for art by Mr. Constantini is rich in aesthetic, cultural and historical terms. Among the most outstanding works we can point out a Frida Kahlo self portrait, Diego Rivera’s masses, Antonio Berni multifascetic work, Pedro Figari’s Uruguayan everyday lifestyle, Cândido Portinari, and Antonio Sigui… the list goes on with Roberto Matta, Wilfredo Lam, Juan Batlle Planas and Remedios Varo just to name some... Many of the works confront social issues and explore questions of national identity that would have a deep influence during the coming years of these nations’ history. One of the most impressive collections of Latin American art anywhere, temporary and permanent exhibitions are mind blowing, strong and carefully organized for the visitor to enjoy and discover to the greatest extent the power within the art. 

Malba is not just a museum; it’s a dynamic and open space in which several cultural and educational activities take place. From classic film shows, to writers groups, lectures, workshops and special visits organized for children and alternative museum experiences for blind groups… No doubt about it, Malba has become a reference name and point for the Latin American and Argentine cultural circles opening a world of fine arts in a “revolutionary” way. The Art show is the nucleus around which other artistic expressions gather and develop. Unlike the most of the museums due to Malba’s constant evolution and innovation within the offer, this is not just a place to visit once; it’s a hot spot part of the daily and monthly cultural agenda of locals and visitors.

About Bob Frassinetti, art collector and antique dealer and free lance journalist from Argentina, Buenos Aires, working on the web, writing both for pleasure and work on art, antiques and collectibles, in and on Buenos Aires, Argentina as well are neighboring countries, Chile and Uruguay. “I’ve written for several Travel Adventure, Art & Antiques Magazines on and off the web and have researched Toys made here in Argentina, as well as Travel Adventure from Route 40 and Lighthouse Adventures along the Atlantic and Pacific coast, Dakar Rally 2009, 2010 and now for a 3erd time, 2011, and now we are “Building a Gallery Museum in the Province of Cordoba” Real Estate Investment …….. Travelling for Art and Antiques” and I have been on line since 1996
Living with art and antiques and travelling the south of South Amercia. Argentina, Chile and Uruguay
San Telmo, Buenos Aires 2010
Argentina
ph: +54 911 6965 1955
alt: +54 911 44753983
admin@frassinetti.com

Buenos Aires, Agentina

Posted by bob frassinetti at 1:58 PM

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